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Glass Magazine

Emily Rae Pellerin
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Only Connect opens new show DR/OP in Onomichi, Hiroshima

Only Connect opens new show DR/OP in Onomichi, Hiroshima ONLY CONNECT, the understated curatorial powerhouse based in Onomichi, Japan (whose

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Glass speaks with heart-throb Juan Pablo Raba on the release of The 33

Writhing, screaming, violently rocking. A petulant alcoholic trapped for over a week underground in a partially collapsed mine, for whom

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Glass talks with two-time Tony Award nominee Stark Sands

An exclusive interview with the star of the new Minority Report TV series Before there was Tom Cruise in Steven

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Restless preoccupations

[slideshow_deploy id=’32557′] Glass Interviews Yutaka Inagawa on his Malaysian solo show and His restless preoccupation with intersecting mediums, cultural identities

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I Think Therefore I #: Celina Teague responds to the dialogues of social media

It would be easy to read painter Celina Teague’s new show at Kristin Hjellegjerde Gallery in London, I think therefore

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Hiroshima’s Dogs in a Room Exhibit is Daringly Confrontational

The typical curator strives to create harmony amongst their artworks – they take a space, manipulate the artistry within it,

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Andrei Tarkovsky Retrospective at NYC’s MAD: Sculpting in Time

Tarkovsky’s Solaris opens with mesmerising visuals of the natural earth, emphasising the tactile grandeur of what it has to offer

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NYC’s Museum of Art and Design focuses on filmmaker Roy Andersson in Spring Retrospective

New York City’s Museum of Arts and Design presents It’s Hard to Be Human: The Cinema of Roy Andersson until

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National Pavilion UAE showcases extensive, 100-piece show at Venice Biennale

The National Pavilion United Arab Emirates was first involved with la Biennale di Venezia International Art Exhibition four years ago,

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Cultural cocktail of high fashion, luxury travel, fine arts and the humanities from around the globe, served to you daily by Glass

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