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How Devon DeJardin elevates sculpture to the abstract form 

WITH TRANSCENDENT canvases harnessing the power of cultural symbolism, the artist speaks to Glass about the way spiritualism and abstraction have moulded his creative hallmark. Devon Jardin has the confidence to harness the best of an artist’s spirit with relish and depth. In fact, with his underlying thread of abstraction

Arctic living – the SALTed experience

[slideshow_deploy id=’32186′] On the Norwegian island Sandhornøy, where the white Arctic beach meets the high mountains, the cultural project SALT

New Alexander McQueen fashion film from ShowStudio

Prompted by Savage Beauty, the recently closed block-busting retrospective of work by Alexander McQueen, at the Victoria & Albert Museum

A fresh look into modern China

The Chinese Photobook: From the 1900s to the Present [slideshow_deploy id=’29581′] The Chinese photobook emerges from a rich and diverse

A lively library experience

[slideshow_deploy id=’31588′] Near to the Trafalgar Square end of the St Martin’s Lane in Central London, one will happen upon

I Think Therefore I #: Celina Teague responds to the dialogues of social media

It would be easy to read painter Celina Teague’s new show at Kristin Hjellegjerde Gallery in London, I think therefore

Hiroshima’s Dogs in a Room Exhibit is Daringly Confrontational

The typical curator strives to create harmony amongst their artworks – they take a space, manipulate the artistry within it,

Greats of choreography – passion of dance

  Dance is as indefinable as it is intangible. It is an intrinsic, visceral experience with no other purpose than

Between rebellion and beauty – Glass talks to Camille Blatrix, the Prix d’Enterprise Ricard-winning artist whose first UK solo show opens at MOSTYN, Wales.

Processing tensions between the self, memory and rebellion through his work, Camille Blatrix’s solo show at MOSTYN in Llandudno aims

Larry Poons’ radical surface

[slideshow_deploy id=’31673′] Even the floor of Larry Poons’ Manhattan loft studio is thick with art. Thirty years of flinging paint


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