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How Devon DeJardin elevates sculpture to the abstract form 

WITH TRANSCENDENT canvases harnessing the power of cultural symbolism, the artist speaks to Glass about the way spiritualism and abstraction have moulded his creative hallmark. Devon Jardin has the confidence to harness the best of an artist’s spirit with relish and depth. In fact, with his underlying thread of abstraction

Running in the family

[slideshow_deploy id=’29164′] Opening next month at Yorkshire Sculpture Park is the joint exhibition of works by Venetian glass artists Laura

Seen and unseen

[slideshow_deploy id=’29020′] Invisible may no longer be an adjective suitable to describe a photographer who has recently been the subject

Dancing between the title and the canvas – Comedian Noel Fielding brings his unique brand of art to the Royal Albert Hall

Dancing between the title and the canvas – Comedian Noel Fielding brings his unique brand of art to the Royal

Chinese painter Mao Yan’s American debut

The contemporary art world tends to favour Chinese artists who use a blatantly “Chinese iconography”. Defying this aesthetic, portrait artist

Last chance to see Between East and West

This week marks the last chance to see Between East and West: The British Chinese. The exhibition by photographer and

Hayv Kahraman exhibition at Jack Shainman Gallery, New York – How Iraqi Are You?

This spring, Jack Shainman Gallery presents How Iraqi Are You?, an exhibition of large scale linen paintings by Hayv Kahraman.

Documenting landscape and tracing memory – Michelle Stuart at Parafin gallery, London

American artist Michelle Stuart will showcase an exhibition of recent works at London’s Parafin gallery. Known for her synthesis of

Lynette Yiadom-Boakye selects pieces for Whitechapel Gallery’s new show

Turner Prize-nominated Lynette Yiadom-Boakye is assistant curating an exhibition this spring at London’s Whitechapel Gallery. Running now through mid-June, the

Ecuadorian artist Oscar Santillan new show at Copperfield Gallery, London

Oscar Santillan brings a new level of commitment to the rampant physicality of contemporary art. The self-taught Ecuadorian artist, for


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