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Don’t Miss: Film

Culture · Don't Miss: Film · Feature · Film

From Betrayal to Brilliance: Jessica Reynolds on A Woman of Substance

From Spring Issue 65 Glass speaks to A Woman of Substance’s star Jessica Reynolds about what her role has to say about class, patriarchy and female resilience   Tale as old as time: a working-class young woman falls for an upper-middle-class man. He proves a complete and utter disappointment. She builds

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Naomi Ackie talks to Glass about redefining the thriller genre

Glass speaks to Naomi Ackie, the British star of Blink Twice, a film that redefines the thriller genre from a

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Gerrit Jacob and MUBI showcase an ode to 90s Berlin with capsule

FIVE pieces, five stories: Gerrit Jacob reimagines the city’s post-unification spirit through the subcultural DNA of its underground scene –

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Freya Allan speaks to Glass on shifting perspectives

From Spring Issue 57 Glass speaks to up-and-coming British actor Freya Allan on her new role in Kingdom Of The

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London to host ‘A Gathering of the Angels’ – a two-day festival celebrating David Lynch

A NEW festival celebrating the work of David Lynch is set to captivate London this September. ‘A Gathering of the

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Bruna Marquezine talks to Glass about breaking the stigma of Latin women in Hollywood

AHEAD of the release of superhero blockbuster Blue Beetle, Glass speaks to Brazilian actress Bruna Marquezine about her starring role,

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Glass talks to Swedish actor Rebecca Ferguson

  Back to the Future – Glass talks to Swedish actor Rebecca Ferguson about her roles in Dune, Mission: Impossible

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Glass meets actor André Holland – star of Moonlight and The Eddy

ANDRÉ Holland is one of the most promising performers of this generation. Having starred in a plethora of note-worthy cinematic

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Glass reviews White Riot – Rubika Shah’s film about the Rock Against Racism movement

“We want rebel music, street music. Music that breaks down people’s fear of one another. Crisis music. Now music. Music

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The Glass guide to the top 10 long films to watch in isolation

SOMETIMES one film just isn’t enough, especially when you have a lot of free time on your hands, but maybe

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