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Don’t Miss: Theatre

Culture · Don't Miss: Theatre

Beauty and Brutality at the Arena: Aida and Turandot

VERONA, ITALY — We tend to think of Aida and Turandot primarily in terms of epic grandiosity, but are we right to do so? With their relentless storytelling and taut structures — alternating probing sequences of enigmas, dialogues and spare ritual choruses — the dramaturgy of Verdi and Puccini’s operas

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Glass meets West End and Broadway star Joe Aaron Reid

“DREAMGIRLS is kind of a hot ticket at the moment,” says Joe Aaron Reid, stating the obvious. The West End

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Glass meets young actor on the rise – Orlando James

WHEN Glass meets Orlando James at the Barbican Centre, it’s his wide-reaching smile that greets us first. Having taken his

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Glass reviews … Who’s Afraid of Virginia Woolf, Harold Pinter Theatre

EDWARD Albee’s Who’s Afraid of Virginia Woolf is a play that takes no prisoners. Making an absolute racket is the

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Glass reviews In Other Words at The Hope Theatre, Islington, London

THE power of music, or one particular song in this case, to transport someone back to a different time, alleviate

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Glass reviews The Glass Menagerie at the Duke of York’s Theatre, London

IT is always so delightful when a script from over 50 years ago still stands up incredibly well in today’s

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Glass reviews Saint Joan at the Donmar Warehouse

OLIVIER award-winning director Josie Rourke certainly has a job on her hands bringing George Bernard Shaw’s 1923 tragedy, Saint Joan

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Glass reviews Hedda Gabler at the National Theatre

HENRIK Ibsen’s 1891 play, Hedda Gabler is without doubt one of the greatest and potentially the first portrayals of a

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Glass reviews A Pacifist’s Guide to the War on Cancer at the National Theatre, London

A MUSICAL about cancer is never going to be an easy watch and the latest offering from Complicite Theatre and

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Glass reviews The Red Barn at the National Theatre, London

DAVID Hare’s thrilling new play, The Red Barn, based on the 1968 novel La Main by Georges Simenon is a

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