Breaking

News

Milan Menswear SS16: Dsquared²


Dsquared² was one of the last shows in Milan this week, and they certainly ended it on a colourful note. Dan and Dean Caten are widely known for their pushing-the-envelope style. And this season was no exception as they went mad with colour, silhouette and cut.

DSquared4

To begin almost every model was wearing tattoos, which appeared to be fake ones on a thin mesh fabric that could be worn underneath the rest of the attire.  The clothes themselves felt sporty, athletic, garments a California skater with an obsession with oversized trousers would have in his wardrobe.DSquared3

It was a long leap away from the classic looks that menswear has become known for but it was all cool, fun and unusual. Skater style isn’t necessarily what one associates with Milan Fashion Week, but they tried it, and it adds something weird to the mix.

Dsquared2

If one breaks down the clothing, it’s all pretty simple – colourful, baggy, and the sort of thing men who aren’t found  trimming their beards and fixing their bowties would be wearing as the brand appeals to a different market. For SS16, Dsquared² offered graffiti style – with one outfit in the collection completely black. There were jeans; racer-front cut vest tops, and beanies that were clearly designed to fit Dan Aykroyd’s head in Coneheads. But it was all fresh and new.

Dsquared1

Dsquared² has taken this modern subculture of the skater, snowboarder and sporty-loving man and created a collection around him. One thing is for sure, it was a finale to remember.

by Anna Coughlan

Images Courtesy of Style.com

You May Also Like

Gérard Darel Looks To The ’70s For Its Latest Collection

FOUNDED in Paris in 1971, Gérard Darel is known for an easy French style, strong outerwear and, of course, its

Beauty and Brutality at the Arena: Aida and Turandot

VERONA, ITALY — We tend to think of Aida and Turandot primarily in terms of epic grandiosity, but are we

Where Gods Meet Machines: Valentino Unveils Interferenze Campaign

VALENTINO’s Interferenze campaign was shot at Centrale Montemartini, conceived in the early 20th century on the left bank of the