Breaking

Avant Art · News

Painting ∞ at Dominique Lévy


In 1965, French-born Polish artist Roman Opalka (1931 – 2011) picked up a No. 0 brush in his Warsaw studio and painted the number “1” at the top left- hand corner of a canvas. This gesture marked the beginning of an enterprise later titled 1965 / 1 – ∞, which would consume the artist in a quest to paint every number to infinity. By the time of his death, Opalka had placed more than five million numerals on 233 canvases and took photographs of himself each day in front of the work. Dominique Lévy gallery pays tribute to Opalka’s unique practice with Roman Opalka: Painting ∞, an overview of Opalka’s career.

Opalka’s work reflects his simultaneous rage against and embrace of human mortality and time. There is poignancy to be found in his deliberately mechanical method of counting numbers—a poetic inquiry into the mutability of time.

AW4p2_Studium natemat ruchu IV 34_VL_OPALKA_MOUVEMENT_09

Roman Opalka Etude sur le mouvement, 1960. Photograph: Vincent Lespinasse

VL_OPALKA_AUTOPORTRAIT_05_ 3685005 crop

Roman Opalka OPALKA 1965/1 – ∞, Détail – Photo 3685005. Photograph: Vincent Lespinasse

VL_OPALKA_AUTOPORTRAIT_01_5455634 crop
Roman Opalka OPALKA 1965/1 – ∞, Détail – Photo 5455634. Photograph: Vincent Lespinasse

VL_autre_CHRONOME_02 sm
Roman Opalka Chronome No. 2, 1963.  Photograph: Vincent Lespinasse

by Louise Lui 

Roman Opalka: Painting ∞ will run from September 2 until October 18, 2014 at Dominique Lévy, 909 Madison Avenue, New York City

All images © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris

You May Also Like

Casablanca and Ibiza’s Six Senses Join Forces for Summer 2026 Residency

LAUNCHING this summer, Casablanca joins forces with Six Senses Ibiza for a takeover of the hotel’s iconic Rocky Beach. Set

The Plurality of Architecture Takes Centre Stage in Max Mara’s Atelier Collection 

MILAN, ITALY — Form follows function. It’s a design principle that says much about Max Mara’s way of working. The

Tahar Rahim: The Art of Becoming Someone Else

From Spring Issue 65 Glass Man sits down with French screen star Tahar Rahim, a one-time bored kid who loved