Breaking

Fashion · Fashion Shows · News

PFW SS17: Louis Vuitton


SO Nicolas Ghesquière got the ‘80s bug too. Strong shoulders, power-dressing in the form of tailored suits, asymmetric jersey dresses, pointy boots, dramatic makeup, black leather, chunky gold jewellery and a very chic and subtle interpretation of the harem trousers with fastening belts, a detail appearing also on the jersey dresses, paired with a turban-like headgear were all part of Louis Vuitton’s SS17 collection.

louis_vuitton_ss17_look_02

louis_vuitton_ss17_look_34

This collection, following Ghesquière’s very futuristic vision of the past collections for the fashion house, was more down to earth. As the show took place on the Place Vendôme in the Louis Vuitton headquarters, the location filled with light, overlooking Paris and a more intimate way of presentation sans dramatic staging had the same effect.

louis_vuitton_ss17_look_12

louis_vuitton_ss17_look_17

The location also made sense as the collection celebrated Louis Vuitton’s Parisian heritage, specifically the Parisienne women and their sense of style. This collection was created for them to be able to wear for many different occasions, be it lace dresses and separates taking them from work to party, shimmery partly transparent gowns with cut outs covered in tiny crystals for special occasions or band-like T-shirts with a motif of a faun’s head taken from the façade of 2 Place Vendôme for everyday or a concert.

louis_vuitton_ss17_look_20

louis_vuitton_ss17_look_44

by Sara Hesikova

Images courtesy of Louis Vuitton

You May Also Like

Casablanca and Ibiza’s Six Senses Join Forces for Summer 2026 Residency

LAUNCHING this summer, Casablanca joins forces with Six Senses Ibiza for a takeover of the hotel’s iconic Rocky Beach. Set

The Plurality of Architecture Takes Centre Stage in Max Mara’s Atelier Collection 

MILAN, ITALY — Form follows function. It’s a design principle that says much about Max Mara’s way of working. The

Tahar Rahim: The Art of Becoming Someone Else

From Spring Issue 65 Glass Man sits down with French screen star Tahar Rahim, a one-time bored kid who loved