AS the lights dimmed for the Richard Quinn AW18 show, and an announcement was made for all “lords and ladies to take their seats”, whispering in the audience confirmed something big was about to happen. Sure enough, history was made just seconds after as Queen Elizabeth II made her entrance – her first-ever appearance in her lifetime at London Fashion Week. The reasoning behind such a momentous occasion was to present Richard Quinn with the inaugural award for British design in recognition of his creative talent and contribution to the fashion community. With excitement running high there was an eagerness for the show to begin and witness its glory and victory for all it was worth.
Florals in neon pastels and shiny materials were the predominant feature of the AW18 collection, a signature print choice for Richard Quinn. This season the designer played with the floral concept and introduced it in a variety of forms like puffa jackets, flowing skirts, shoes, tights, scarfs, metallic balloon dresses and even biker helmets. Clashing prints and textiles made the collection as a whole colourful and exciting for the eyes to behold. So exciting it even spread a large smile across Queen Elizabeth II’s face for the majority of the show. Make-up was bold, sparkly headdresses were brave, and hair was sophisticated and regal.
Stand out pieces were the metallic foil dresses that billowed in the wind creating catwalk-wide volume and a long-lasting impression. This combined with the biker helmets alluded to old-school couture shows. The floral designs, however, fit well with the traditional design and style of the Queen. The collection was a visual feast for the eyes, made even more so by the royal presence. Tears of joy were shed in the audience and appreciation for Quinn’s legacy as a designer swarmed the room. Quinn’s imagination and beautifully crafted design have won his show a place in fashion history.
Richard Quinn accepting his award from Queen Elizabeth II. BFC CEO Caroline Rush and royal dressmaker Angela Kelly are seen in the background.
by Lily Rimmer
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