GROUNDBREAKING. Enigmatic. Challenging. Loved. Rei Kawakubo would hate to be called a creative icon but there are few that will ever come close to her highly influential body of work. Her brand, Comme des Garçons (fondly known as “‘Comme”’ by her legions of fans) exists in a nebula between, rather than within, the orbit of fashion’s many planets. Her collections are notoriously difficult to predict, save that they will inevitably challenge conventional aesthetic boundaries.
The cover of the book
She is a true pioneer and for many, the last great designer – her dedication to her craft is evident in the rare moments she lowers her guard,: “There is always a sense of crisis,” she confesses, “ The fear of not knowing how much longer I will be able to continue to create. Once I’ve made something, I don’t want to do it again, so the breadth of possibility is becoming smaller.”
Her more than 40-year rule as the doyenne of avant-garde fashion is documented here in stunning style, accompanying the much-praised Costume Institute exhibition at the Metropolitan Museum of Modern Art, New York on show this year until September (May 4 – September 4, 2017).
