In Paris, when the elite meet with one sartorial objective in mind, haute couture, that is exactly what they want, and in the case of the extraordinary Alexis Mabille, that’s precisely what we get, a fantastically heightened take on timeless fashions. Saturating the mystique of couture like no other, neoclassical enchantment was the lavish genesis yesterday, with a collection that channelled the ideals of The Grand Tour, a late 16th century glorification of the enlightenment sought through sampling the best of European art and culture.
Alongside the festivities of The Grand Tour, which introduced many to the wonders of regal baroque architecture, dictated by the Parisian couturier, the blossoming papillon became the most prominent gesture made by Mabille, which effectively nourished the opulent collection, as other-worldly butterflies rested delicately upon the visages of models, creating a divine contrast with the taut dark locks, slicked into a tight bun. Casting budding brides around the world into a frenzy, with a heavenly realm of diaphanous dresses; atomic white masterpieces doubling as ethereal beams of light, sumptuously ruched and pleated lengths of satin, in an incandescent gold, and light, embroidered chiffon sheaths that oh so enticingly left much to the imagination.
The atmosphere exuded warmth thanks to flickers of warm ochre, the ultimate setting for the celestial breed of Grecian goddesses, elongated, and thus nobly statuesque, on account of the beautiful cut of each garment, embellished with the utmost finery. The statement swoops of never-ending lengths of decadent fabrics this season are a bold sentiment to couture itself, as whilst trickle-up fads may come and go swiftly, those with the standing, and the ardent resolution of Mabille, will always do couture.
by Liam Feltham
Images courtesy of Style.com