The Fritz Lang inspired Metropolis mien and bio-mechanic order of a lively pattern-heavy AW14 collection was Holly Fulton’s self-confessed experiment by trial and error into “considering the mechanics of running her own business and the makings of woman” – an entirely commendable quest at that. The quick-talking, precise eloquence of Fulton’s offering was communicated via bold geometric graphics, which spelt-out quite powerfully man’s relationship with technology in the ever advancing digital age.
Satin organza overlays on wool throughout introduced quaint illustrations of model-esque hands, lacquered with brilliant red nails, and recollecting the early Warholian commercial illustrations commissioned during the 50s. Below the knee dresses and à la mode boxy blazers then became emblazoned with industrial, angular El Lissitzky like, Russian constructivist themed prints, rather a stretch from the jolly phalanges prints interspersed from start to finish.
Following the punchy, poptastic prints a serious consideration of fabrics was on the cards, such as the bold bonding of metallic and high-gloss film in intricate layers, then collaged into tessellated distinctive patterns on long un-shy outerwear and floral box-pleated skirts.
Quite magnificently Fulton has made a devout pledge to the forward-thinking career woman with her new collection, dissecting the role of the female entrepreneur in fashion and the all-important symbiosis between human hands and the machine.
by Liam Feltham
Images courtesy of Style.com